16
|
BEST FEMALE PLAYBACK SINGER
|
Samhita
(Marathi)
|
AartiAnklekarTikekar
for the song PalakeinNaaMoondon
|
Rajat Kamal and
` 50,000/-
|
Gifted with an
earthy and haunting voice the singer gives ample evidence of her classical
moorings, without any instrumental embellishments.
|
17
|
BEST CINEMATOGRAPHY
|
KO : YAD
(Mising)
|
i) Cameraman: SudheerPalsane
ii) Laboratory: Prasad Film Laboratory,
Chennai
|
Rajat Kamal and
` 50,000/- each
|
The unexplored charm
of North-East India through different seasons is all the more alluring
through the eyes of this Cinematographer.
|
18
|
BEST SCREENPLAY
i) Screenplay
Writer (Original) :
ii)
Screenplay Writer (Adapted) :
iii)
Dialogues :
|
Kahani(Hindi)
OMG Oh My God
(Hindi)
Ustaad Hotel
(Malayalam)
|
SujoyGhosh
BhaveshMandalia
&UmeshShukla
Anjali Menon
|
Rajat Kamal and
` 50,000/-
Rajat Kamal and
` 50,000/-
Rajat Kamal and
` 50,000/-
|
A well structured
screenplay that formed the heart of an edge of the seat suspense film.
A carefully crafted
screenplay dealing with a social satire with shades of oriental philosophy.
Easy flowing, yet
down to earth dialogues complement the well mounted entertainer with a social
message.
|
19
|
BEST AUDIOGRAPHY
i) Location
Sound Recordist
ii) Sound
Designer
iii) Re-recordist
of the final mixed track
|
AnnayumRasoolum
(Malayalam)
Shabdo
(Bengali)
Gangs of
Wasseypur (Hindi)
|
Radhakrishnan S.
AnirbanSengupta
&
DipankarChaki
Alok De, Sinoy
Joseph &Shreejesh Nair
|
Rajat Kamal
and
` 50,000/-
Rajat Kamal and
` 50,000/-
Rajat Kamal
and
` 50,000/-
|
The technology of
sync-sound is effectively employed in this film with semi-urban setting.
A deft handling of
sound technology and its ramifications have contributed to make this film an
unforgettable experience.
For a film done in a
milieu of natural locations the final mixing of multitude tracks has added
tremendous cinematic value.
|
20
|
BEST EDITING
|
Kahaani(Hindi)
|
NamrataRao
|
Rajat Kamal and
` 50,000/-
|
Imaginative editing
has embellished the rhythm and flow of this highly watchable thriller.
|
21
|
BEST PRODUCTION DESIGN
|
Vishwaroopam(Tamil)
|
Boontawee ‘Thor’
Taweepasas
&
Lalgudi N. Ilayaraja
|
Rajat Kamal and
` 50,000/-
|
For a subject that
transcends different times and space, the commendable production design has
played a huge part in making this film what it is.
|
22
|
BEST COSTUME DESIGNER
|
Paradesi(Tamil)
|
PoornimaRamaswamy
|
Rajat Kamal and
` 50,000/-
|
A keen eye for
details in costume design has given the film a look of authenticity.
|
23
|
BEST MAKE-UP ARTIST
|
Vazakkuenn 18/9 (Tamil)
|
Raja
|
Rajat Kamal and
` 50,000/-
|
Unobtrusive, yet
effective make up is the hallmark of this Tamil film.
|
24
|
BEST MUSIC
DIRECTION
a)
Songs
b)
Background Score
|
Samhita(Marathi)
Kaliyachan
(Malayalam)
|
ShailenderBarve
BijiBal
|
Rajat Kamal and
` 50,000/-
Rajat Kamal and
` 50,000/-
|
Versatile and
soulful presentation of songs based on Raagas, backed by Indian
instrumentation arranged in a manner that enhances the film.
Fusion of native
ensemble and percussions in a period setting is a challenge well-met by the
background score.
|
25
|
BEST LYRICS
|
Chittagong
(Hindi)
|
Prasoon Joshifor song Bolo Na
|
Rajat Kamal and
` 50,000/-
|
Simple yet profound
lines that provokes imagery of varied dimensions.
|
26
|
SPECIAL JURY AWARD
|
Chitrangada
(Bengali)
&
i. Kahaani(Hindi)
ii.
Gangs of Wasseypur (Hindi)
iii. Dekh Indian Circus ( Hindi)
iv. Talaash (Hindi)
|
RituparnoGhosh
&
NawazuddinSiddiqui
|
Rajat Kamal and
` 2,00,000/-
(Cash component to
be shared between the winners)
|
For his excellent
grasp of the medium of cinema and his multi-faceted versatility.
An actor with an
enviable range of histrionics who created a niche for himself in a variety of
films.
|
27
|
BEST SPECIAL EFFECTS
|
Eega(Telugu)
|
Makuta VFX
|
Rajat Kamal
and
` 50,000/-
|
State of the art
technology of computer graphics and digital imaging takes centre-stage in
this entertainer.
|
28
|
BEST CHOREOGRAPHY
|
Vishwaroopam
(Tamil)
|
PanditBirjuMaharaj
|
Rajat Kamal and
` 50,000/-
|
Artistically
pleasing choreography, maintaining purity of the Kathak dance form by this
veteran has added an extra dimension to the characterization of the lead
actor.
|
29
|
BEST FEATURE FILM IN EACH OF THE LANGUAGE
SPECIFIED IN THE SCHEDULE VIII OF THE CONSTITUTION
|
|
|
|
|
a)
|
BEST ASSAMESE
FILM
|
Baandhon
|
Producer: Assam State Film (Finance and Development) Corporation Ltd.
Director : JahnuBaruah
|
Rajat Kamal and
` 1,00,000/- each
to the Producer and
Director
|
The lives of a
garrulous and nitpicking , yet loving old couple and their inability to come
to terms with the tragic loss of their only grandson on 26/11/2008, forms the
subject matter of this compelling film.
|
b)
|
BEST BENGALI
FILM
|
Shabdo
|
Producer: Brand Value Communications
Ltd.
Director : KaushikGanguly
|
Rajat Kamal and
` 1,00,000/- each
to the Producer and
Director
|
A brilliantly
conceived off-beat film on the obsession with ambient sound and its
devastating effects on the life of a foleyartist, is a unique cinematic
experience.
|
c)
|
BEST GUJARATI FILM
|
The Good Road
|
Producer: National Film Development
Corporation Ltd.
Director : GyanArora
|
Rajat Kamal and
` 1,00,000/- each
to the Producer and
Director
|
This film
effectively captures the flavor of the never-ending and undulating highways
of the other India and its hidden facets.
|
d)
|
BEST HINDI FILM
|
Filmistan
|
Producer: Satellite Picture Pvt.
Ltd.
Director : NitinKakkar
|
Rajat Kamal and
` 1,00,000/- each
to the Producer and
Director
|
A gripping tale of a
Mumbai film buff who gets unwittingly involved in a cross border misadventure
only to realize how divided hearts can be brought together through cinema.
|
e)
|
BEST KANNADA
FILM
|
Bharath Stores
|
Producer: Basant Productions
Director : P. Sheshadri
|
Rajat Kamal and
` 1,00,000/- each
to the Producer and
Director
|
The highly emotive
issue of FDI in retail gets its cinematic expression in this simple yet
powerful movie.
|
f)
|
BEST MALAYALAM FILM
|
Celluloid
|
Producer: Kamal &Ubaid
Director : Kamal
|
Rajat Kamal and
` 1,00,000/- each
to the Producer and
Director
|
The trials and
tribulations of the passionate filmmaker and father of Malayalam cinema, J.C.
Daniel are poignantly depicted in this biopic.
|
g)
|
BEST MANIPURI FILM
|
Leipaklei
|
Producer: AribamSyam Sharma
Director : AribamSyam Sharma
|
Rajat Kamal and
` 1,00,000/- each
to the Producer and
Director
|
A simple story told
in a straight-forward
simple narrative
highlighting social reality.
|
h)
|
BEST MARATHI FILM
|
Investment
|
Producer: PratibhaMatkari
Director : RatnakarMatkari
|
Rajat Kamal and
` 1,00,000/- each
to the Producer and
Director
|
This bold film
portrays the devastating effects of instilling wrong values among children.
|
i)
|
BEST PUNJABI FILM
|
Nabar
|
Producer: Jasbir Singh &SonuKaur
Director : Rajeev Sharma
|
Rajat Kamal and
` 1,00,000/- each
to the Producer and
Director
|
This film lucidly
presents the often misplaced craze for the West prevalent among the upwardly
mobile Punjabi youth and its consequences.
|
j)
|
BEST TAMIL FILM
|
Vazakkuenn 18/9
|
Producer: N. Subhash Chandra Bose
Director :BalajiSakthivel
|
Rajat Kamal and
` 1,00,000/- each
to the Producer and
Director
|
A love story
unfolding to a horrific tragedy and the ugly face of an unforgiving system
come through strongly in this well-narrated film.
|
k)
|
BEST TELUGU FILM
|
Eega
|
Producer: K. RanganathaSai
Director : S.S. Rajamouli
|
Rajat Kamal and
` 1,00,000/- each
to the Producer and
Director
|
In this
one-of-its-kind and extraordinary fusion of technology and cinematic
narrative the filmmaker has broken new grounds in concept and execution.
|
l)
|
BEST URDU
FILM
|
Harud
|
Producer: Aamir Bashir&Shankar
Raman
Director : Aamir Bashir
|
Rajat Kamal and
` 1,00,000/- each
to the Producer and
Director
|
The ruination
brought about by the militant insurgency in Jammu and Kashmir and its
deleterious repercussion on the social fabric of the state is well documented
in this movie.
|
30
|
BEST FEATURE FILM IN EACH OF THE LANGUAGE
SPECIFIED OTHER THAN SCHEDULE VIII OF THE CONSTITUTION
|
|
|
|
|
a)
|
BEST ENGLISH FILM
|
Lessons in
Forgetting
|
Producer: Prince Thampi
Director : UnniVijayan
|
Rajat Kamal and
` 1,00,000/- each
to the Producer and
Director
|
The investigative
free spirit of a young girl which proves to be almost fatal, finds its
cinematic experience in this sleek and well crafted film.
|
b)
|
BEST MISING
FILM
|
KO : YAD
|
Producer: Manju Borah
Director : Manju Borah
|
Rajat Kamal and
` 1,00,000/- each
to the Producer and
Director
|
A stark and
realistic film with a strong subtext about a driftwood collector makes
compelling viewing.
|
31
|
SPECIAL MENTION
|
|
|
|
|
|
|
a) Ozhimuri (Malayalam)
|
a) Lal
|
Certificate
|
A powerful portrayal
of a highly surcharged role transcending different age groups in the
Malayalam filmOzhimuri.
|
|
|
b) Bharat Stores (Kannada)
|
b) H.G. Dattatreya
|
Certificate
|
For his effortless
and natural performance of a small
time grocery retailer in the Kannada film Bharath Stores.
|
|
|
c) Baandhon (Assamese)
|
c)
BishnuKharghoria
|
Certificate
|
For emoting the life
and moods of an old man caught in the vortex of the tragedies of life in the
Assamese film Baandhon.
|
|
|
d) Ishaqzade (Hindi)
|
d) Parineeti
Chopra
|
Certificate
|
For her convincing
delineation of a dare-devil girl in a moving drama of love and tragedy in the
Hindi film Ishaqzade.
|
|
|
e) Dekh Indian Circus (Hindi)
|
e)
TannishthaChatterjee
|
Certificate
|
For the portrayal of
a village housewife from the oppressed and downtrodden class who fights for
her dignity and honour in the face of extreme adversities in the Hindi film Dekh
Indian Circus.
|
|
|
f) Dhag(Marathi)
|
f) HansrajJagtap
|
Certificate
|
For his realistic
portrayal of an impressionable yet responsible poor boy, living in the
unlikely environs of a crematorium and his coming of age on the demise of his
father in the Marathi film Dhag.
|
|
|
g) Ustad Hotel (Malayalam)
|
g) Thilakan
|
Certificate
|
For his sensitive
performance as a crusading self-made small-time hotelier with a heart for
basic human values.
|